Kirkus | February 3, 2024
The youngest daughter in a Black family tries to understand her history and her legacy in this poignant multigenerational story.
Mika Tabor has to make a family tree for her history class, but as she tries to learn where she comes from a more existential question plagues her: "What am I made of?" It’s a difficult question to answer for Black Americans whose ancestors were forced to the U.S. and enslaved, but Mika’s grandfather, Teeta, tells her that in place of artifacts or records, she has the stories her family has passed down. The novel relays three generations of these stories in a Black working-class suburb of Columbia, South Carolina, told through multiple first-person narratives as well as an intermittent close third person. The family lands in Columbia in 1948, when Mika’s great-grandmother “Lady” Bolton flees their Georgia hometown with her two children after the public lynching of a neighbor. About six years later, Lady’s daughter Weesie meets James “Teeta” Mosby at a vegetable stand and is instantly smitten; the two eventually marry and settle down in a newly constructed all-Black subdivision, on the titular Redwood Court. Despite the multiple perspectives, Mika is the heart of the novel, and the main timeline tracks her coming-of-age in the 1990s. Mika spends these years collecting memories and life lessons both trivial and essential: At one of Weesie’s summer cookouts, Mika begrudgingly runs around keeping food and drink in order while Weesie explains the merits of hosting; as she witnesses her parents being attacked with slurs, her father describes the importance of “pick[ing] your battle or your war.” Poet Dameron’s fiction debut is more a collection of snapshots than a straightforward narrative; the timeline jumps and the alternating points of view can be disorienting. Still, the scenes are brought to life by the way the author beautifully evokes the senses and focuses on intimate details, and the depiction of inherited trauma alongside profound love is powerful and moving.
Dameron argues that people are made of their stories in this poignant novel about a young Black girl looking for her roots.
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